Friday, April 27, 2012

Three New Reviews of LF Titles

Check out these recent reviews of Les Figues titles I'll Drown My Book,  By Kelman Out of Pessoa, and Tall, Slim & Erect: Portraits of the Presidents.


 I'll Drown My Book reviewed in the new issue of Diagram

"It makes its own rules and sometimes it follows them, which implies that you, reader, too, should make your own rules and sometimes follow them. It's a koan of a map to some writers you probably don't know and you might love. It acknowledges that we can't possibly be expected to understand ourselves unless we listen to each other while recognizing too that it is our task alone to understand ourselves. I want to pick it up and ask it a divinatory question and put my hand on a random line again, and in return Dodie Bellamy says "My thoughts flutter down your purple neck and that gives me a hard-on." What else could I want from something like this?





Tall, Slim & Erect: Portraits of the Presidents reviewed by Emily Kiernan at HTMLGIANT

"The president as person means something different and perhaps something less than the president as figure, and the attempt here to humanize is less interesting for its success or failure than as a catalogue of what it might mean to humanize a public figure. A president is, after all, a human, but one who has been so denatured by his role that we must embark upon these kinds of recuperative missions to see him as such. Do we become more human in one another’s eyes through the workings of our bowels or the oddities of our forms? Perhaps these are the very things we need to strip from our leaders in order for them to lead, fearful that too much body will leave them mired in the petty and personal. Or perhaps in confronting the truthlessness of history, these are simply the easiest elements to give back to our presidential figurines. "




By Kelman Out of Pessoa reviewed by J.A. Tyler in NewPages


"As a moment of recon, gathering data and spilling it onto the page in words and plot-lines and images, By Kelman Out of Pessoa succeeds. The narrative shifts are unpredictable thanks to their grounding in gamed risk, and the language is its own amalgam of plot-driven characterization and constant word-play, always switching and reversing and reiterating itself in the form of manipulated sentences..."



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